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units. This assumption seems reasonable if the nature of the series is viewed as determined by an underlying process speci c to the construct under investigation. As with any of the analytic approaches, diagnostic indicators such as the Ljung and Box test (1978) may be used to test the t of the model (see Dielman (1989) for a more extensive discussion of testing model assumptions). The basic form of the design matrix should be based on the analyses of the individual units, a priori knowledge when available, or both. The approach described here has a number of advantages. First, it represents a direct extension of the general transformation approach developed by Velicer and McDonald (1984). This approach avoids the problematic model identi cation step and has received a favorable evaluation in several simulation studies (Harrop & Velicer, 1985, 1990b). Second, the approach described here can also be adapted to two of the alternative methods of analysis. For the Glass et al. (1975) approach, a speci c transformation matrix corresponding to a particular ARIMA (p, d, q) model would replace the general transformation matrix. Following the Simonton (1977) approach, the ARIMA (1, 0, 0) transformation matrix would be used for all cases instead of the general transformation approach. Third, the approach is a simple direct extension of existing procedures. It can be implemented by a slight modi cation of existing computer programs. The problems of adaptation will involve problems of size and speed created by the use of long vectors and resulting large matrices instead of a more complex analysis.

Thus, the mutual information I (X; Y ) is the reduction in the uncertainty of X due to the knowledge of Y . By symmetry, it also follows that I (X; Y ) = H (Y ) H (Y |X). (2.40)

Another way to call a procedure in a different open workbook is to use the Run method of the Application object. This technique does not require that you establish a reference. The following statement executes the Consolidate procedure located in a workbook named budget macros.xls:

Greeks approached emotion with a form of double-entry bookkeeping, dealing both with psychic and somatic aspects of emotional phenomena (Brett, 1928) Aristotle was the exception to his times when he considered feelings as natural phenomena, and his descriptions of the individual passions remain a model of naturalistic observation But Aristotle did not allow for simple, pure affective processes As he so often did, Aristotle sounded a more modern note when his description of emotion required the cognitive elements of a percept, an affective component of pleasantness/unpleasantness, and a conative (motivational) effort (Hammond, 1902) Post-Aristotelian philosophy devoted much effort to various analyses of the emotions, yet Aristotle continued to dominate much of the thought of the Middle Ages well into the fteenth century.

The age of the Scholastics was often preoccupied with commentary and theological speculations and frequently relegated emotions to an expression of animal spirits, very distinct from the moral spirit and intellect with which the ancients had wrestled The main contribution to the history of thought about emotion came from the great systematizer, Thomas Aquinas He also asserted that emotions disturb thought and should be controlled, but his classi cations barely survived to the Renaissance On the whole, the period of theological dominance was best described in the late sixteenth century by Suarez (1856): Pauca dicunt et in variis locis ( They say little and do so in various places ).

n(H (U,X,Y1 )+ ) n(H (U ) ) n(H (X|U ) ) n(H (Y1 |U ) )

The Renaissance came late in the history of the emotions, though there was an early whiff of fresh air in the earlysixteenth-century work of the Spanish philosopher Juan Luis Vives, who explored and described the different passions (emotions) with empirical concern and clarity However, the important shift came with Ren Descartes and his publication in 1649 of his Les passions de l me (The Passions of the Soul) (Descartes, 1649) In the spirit of his day, he started afresh, postulating six primary passions, with all the rest constructed of those six: wonder, love, hate, desire, joy, and sadness This fundamentalist approach to constructing emotions is still with us, though Descartes love, desire, and wonder have been substituted by other, more contemporary, states such as disgust, guilt, and shame.

Later in the seventeenth century Baruch Spinoza (1677/ 1876) broke with the still popular view of the emotions as bothersome intrusions and insisted that they be seen as natural and lawful phenomena He is one of the major expositors of the notion that the passions are essentially conative, that is, derived from motivational forces, just as Aristotle and Hobbes had asserted before him For Spinoza the passions pleasure, pain, and desire are all derived from the drive to self-preservation, to maintain one s own existence By the late eighteenth century, Immanuel Kant de nitively made.